Notas Para Corpos no Espaço, Fitar K7 e Paisagens (In)visíveis. In: hibridismos na arquitetura

Abstract

The present research had as objective to analyze the hybrid aspects in the following artistic works, NOTES FOR BODIES IN SPACE, FITAR K7 AND VISIBLE LANDSCAPES, articulating idea and practice / execution. Music, Performance and Architecture make up a triad that acts in the border region, a place of tension where it is impossible to determine where one begins and ends the other. It is within this protagonism, now and then, that the research sought to understand the hybridism contained in these artistic poetics, revealing their ruptures, limits, zones of contact and interaction. The work highlighted aspects of the practical-theoretical production, analyzing them from the concept of hybridism, from Darwin (Biological Sciences, 19th century) to Burke (Cultural Hybridism, 20th century), finally ending up in the constituent and integral hybrid of the process reflective, creative and metalinguistic of the artist / author in the accomplishment of these works.