O duplo psicanalítico e literário no Clube da luta e suas escolhas cinematográficas

Abstract

In this work we propose an analysis of the psychoanalytic and literary Dual presents in the novel and cinematographic work Fight Club, in addition, it will also be made an analysis from theories about filmic adaptations (hypertext) from novels (hypotexts). For this, the work begins with a benchmark of Dual in psychoanalysis from Freud and the literary Dual from Otto Rank's theories, so as to leave for the Dual this film and also analyze the stylistic choices of the director, David Fincher. The results show that the positive Dual is a fill of what the protagonist is not and the stylistic choices from the recreation made for the film shown that much has to do with the style of the director, year of publication and fads of the time, illustrating the contemporary vision of cinema.